One of the worst viewing experiences I've endured, this micro budget film is a mess. The plot feels entirely random, as if a collection of unrelated scenes were filmed and then haphazardly stitched together to mimic a story. It is a confusing, overcrowded, and sloppy B-movie featuring characters who are almost impossible to distinguish from one another. I found myself questioning why anyone would bother making this, especially since it isn't even a forgotten relic from the 90s. On top of that, there is a ridiculous amount of ass nudity and full frontal that serves no purpose whatsoever. I struggled to find a coherent story beneath the excess. I was so lost during the film that I had to search for the plot online afterward just to grasp what was happening. To summarize: Dennis, a disturbed cemetery worker who conceals serious physical disfigurements under a creepy hood, develops an unhinged, obsessive crush. Convinced that death is the path to eternal togetherness, he resorts to increasingly dark and deadly methods when he cannot win this person over normally. Parallel to this is a second storyline involving a straight wrestling coach who is suddenly attracted to one of his male students. This student ends up in serious danger as the coach wrestles with these forbidden, confusing feelings. Blending obsession and desire with supernatural elements, the film is supposedly about the lengths desperate men will go to achieve their desires. At various points, I was so confused that I thought I had accidentally skipped parts of the movie. I waited for the narrative…

I keep spotting a trend where several gay porn performers are attempting to transition into reality TV. Having seen a few of these programs now, I have to give credit where it is due: these men are definitely pushing themselves outside their comfort zones. However, whether the shows themselves are actually any good is an entirely different matter. OutTV is a pioneer in this niche, and my immediate takeaway from this particular series is how heavily scripted it feels. It is impossible to view this as true reality, a fact that becomes painfully apparent the moment the police arrive to arrest a cast member. It is clear the producers will do anything to provoke a reaction from the audience. Even so, I am sure there is an audience that enjoys this style, and I shouldn't judge it outright just because it isn't my cup of tea. The series consists of six episodes, each lasting about twenty minutes. Set in Miami, the show follows Boomer Banks as he attempts to organize a residency—a term he repeats roughly twice per episode to ensure no one forgets—at a gay hotel where he will DJ and produce a show. He enlists his friends Max Konnor and Joey Mills, who have apparently collaborated on previous projects. While Boomer is mostly preoccupied with throwing a fantastic party, he can't help but instigate drama; to that end, he secretly brings in a fourth man, Drake Von, an up-and-coming twink clearly intended to clash with the more established Joey Mills. As various other characters drift in and out,…

This vertical drama leans heavily into every available gay vertical BL stereotype, bundling them all together for the viewer. Between the standard friends-to-lovers trope, the unhinged girlfriend of the supposedly straight lead, and an abundance of family drama, the formula is well-worn. While the typical mafia subplot is absent this time, you know exactly what kind of experience you are getting. The story centers on Cal and Ricky. As the wrestling team captain, Ricky makes a habit of constantly bullying Cal and hurling gay slurs at him at every opportunity. Because Cal's father is the wrestling coach, Cal lives in a state of genuine terror regarding him. Following a bullying incident that crosses a line, the coach mandates that Ricky begin training Cal personally. Ricky agrees to this arrangement because wrestling is vital to him; his home life is difficult, money is scarce, and his mother is physically abusive. What begins as a period of hostility and humiliation gradually evolves into a confusing tension, as their physical training blurs the boundary between rivalry and attraction. While Cal focuses on proving his worth in the ring, Ricky struggles to process emerging feelings. As the tournament approaches, both men face intense pressure, jealousy, and external expectations. When Ricky's girlfriend catches them kissing, she follows through on her threat to expose them. Cal fears his father's reaction, but in a surprising twist, his dad proves to be completely supportive. Following further drama, Ricky's mom eventually comes around, allowing the two of them to finally be together. Predictably, putting a bully and his victim…

The plot of this indie art film centers on a young gay man navigating a series of sexual encounters throughout Hong Kong. Rather than focusing on the sex, the interest lies in the surrounding context: the long, wandering dialogues between him and his partners that range from occasionally clichéd to quite profound, touching on life and their place in the world. Much like the protagonist, most of the men he encounters are transplants in the sprawling city, finding one another through a mobile app. With very little plot beyond this, it feels as though the director is utilizing a single man's hookup cycle as a lens to examine intimacy and isolation within this fragmented community of men. The protagonist is a gay, single man in his twenties who feels restless regarding his life's direction and is in a near-constant state of arousal. The film follows his journey from one encounter to the next, ensuring each feels unique. Interestingly, he seems to reinvent himself with every new partner, adopting traits from his recent lovers to craft the persona he presents to the next person. His journey includes an Iranian biologist, an architect whose boyfriend is a kink-oriented flight attendant, a Thai bartender working sex work to avoid returning home, a brief encounter with a delivery guy, and time spent with an older man visibly paralyzed by the grief of losing a partner. He eventually reunites with the aforementioned flight attendant and concludes with a Black dancer. Regardless of the partner, the dialogue consistently returns to themes of ambition, loss, and the…

Mixing medical drama with emotional turmoil, Hard Shift is a fast paced vertical mini-series available on the NetShort app. The story follows a composed urologist whose calm demeanor unravels the second a rebellious race car driver enters his clinic. What follows is a tug-of-war between personal desire and professional reason. While the setting is fresh, the tropes remain the same, fitting perfectly into the vertical BL world you are already familiar with. The plot centers on Liam Summers, a famous race car driver and wealthy heir, who visits Dr Jasper's urology clinic to address erection problems. Jasper finds himself immediately attracted to him; during the examination, he suggests the issue could stem from racing stress or perhaps the possibility that Liam is actually into men rather than women. To test this, Liam tries gay porn, but since it doesn't work for him, he downloads an app to meet a man. Through a very convenient twist, Dr Jasper is staying at the same hotel where Liam's hookup is supposed to be, leading the two to spend the night together instead. This encounter upsets the man Liam was originally meant to meet, who begins pursuing both Liam and Jasper in increasingly weird ways. Meanwhile, Liam's girlfriend continues to push for marriage, throwing herself at him constantly. Amidst this confusion regarding his own sexuality, Liam finds Dr Jasper pushing past medical ethics until the two eventually become a couple. The relationship faces opposition from Liam's father, who refuses to accept them. In an attempt to destroy Dr Jasper's reputation, the rejected hookup and…

Right now, vertical BLs—mostly originating from the US—are popping up everywhere, and it feels inevitable that AI-generated versions will soon start flooding the market. Until that nightmare becomes a reality, I find myself unable to stop watching these guilty pleasures. Even as I roll my eyes and give them low ratings because they all feel so much the same, I just can't quit them. That is simply my life at this point. The story follows Donovan and Kaden. Kaden is the student body president with a twink-coded aesthetic who is openly gay, while Donovan is the stereotypical straight macho quarterback. Kaden is attracted to Donovan, but he faces bullying and mockery from Donovan, much like the rest of the school. Tensions rise during budget planning after Kaden fails to allocate sufficient funds to the football team, which intensifies the harassment. Following a prank gone wrong, Kaden is punished by being assigned as the water boy for the football team. It is in this role that Donovan begins secretly flirting with him, even though he continues to act as if Kaden doesn't exist in public. They eventually kiss, and Donovan admits he cannot afford to be seen with another man due to the potential impact on his future; however, he does begin intervening to prevent others from bullying Kaden. While Kaden enjoys the attention, he isn't blind to the reality that Donovan will never acknowledge him publicly. After their first night together, they are caught by a girl—the typical evil girlfriend archetype—who blackmails Donovan into pretending to be her boyfriend so…

It is evident that short form creators were paying close attention when Heated Rivalry became a hit, as gay athlete love stories are evolving into a distinct genre of their own. You can sense that more of these are on the way. This installment dives immediately into the aftermath, resuming Donovan and Kaden's relationship just after everything went public at the end of the first series. The show opens with things going well for the pair, bolstered by Donovan receiving his NFL draft call. Rather than celebrating, however, Donovan is prepared to abandon the opportunity because going professional would require him to hide his true self, something he refuses to do at the expense of Kaden. After his mother pulls Kaden aside to tell him he needs to stop getting in his own way, Kaden makes the heartbreaking decision to invent a fake relationship and push Donovan away so the man can pursue his dream. Three years later, Kaden is nearing the end of his degree and interning at an NFL agency that is currently eyeing Donovan for a contract. When Donovan walks in, he asks for Kaden by name to be his assigned contact for the entire negotiation. While revenge is the intended plan, it falls apart every single time he is in the same room as Kaden. Kaden continues to build walls, driven by his singular focus on protecting Donovan's career. This results in over an hour of charged, love you hate you energy. During this time, Donovan quietly informs the agency that he is gay, secures an…

This film fits neatly into the ongoing trend of male bonding dramas, centering on two men—one straight and one gay—whose lives become intertwined following a shared loss. While the underlying concept is good, the execution fumbles the potential. The movie fails to provide proper explanations at the beginning or resolutions at the end, and the focus is frequently diverted by various side characters and storylines that should have remained with the two leads. The narrative would have benefited significantly from more digging into the characters' histories. Following the death of Kenneth, his estranged son Martin travels from New York back to the family home in Cape Cod, ending years of no contact. Martin is unaware that after his mother passed, his father entered a relationship with his gardener, Ted, who is now left grieving alone. Forced to sit across from one another, these two strangers—the son and the partner—must navigate funeral arrangements and the reality of life moving forward. Because the man Ted describes with such love bears little resemblance to the father Martin remembers, their dynamic shifts between being weirdly funny and genuinely sad. The tension centers on the house: Martin views it as something to sell, especially with a relentless real estate agent constantly appearing to push that agenda, while Ted wants to stay in the place where his entire relationship with Kenneth lived. Martin, however, is not in a rush to hand over what he considers his right to deal with. The film gives both men a fair hearing, avoiding making either one the obvious villain. While…

Having rated season one quite high because that sharp, satirical humor resonated so well with me, I approached this season with high hopes. Unfortunately, it let me down hard. I found myself bored and checking out during nearly every episode, as the jokes simply failed to land this time around. Given this experience, I am not shocked the show got cancelled after this season. As with the previous run, it consists of ten episodes, each about twenty minutes long. Even with the same cast returning, something about this felt fundamentally off. Alvarez’s character, Mr Evans, undergoes a shift from a lovable mess who navigates life with neurotic charm to a grown man desperately attempting to join some sort of Bro Code Brotherhood of America. While Malcolm remains the boyfriend, Gwen is back as his high-energy best friend, and we still have Markie the gym teacher, the principal, and Rick. Although Evan and Malcolm are officially a couple now, their relationship is rocky. Markie continues to crush hard on Gwen—who is back with her jobless boyfriend—while still making offensive comments despite his good intentions. Meanwhile, Rick stays lost in his own weird world, pursuing his next terrible business idea. This season forces Evan to confront various biases regarding himself and those around him. The dinner at the principal's place was the one episode that actually worked for me; meeting the principal's daughter's husband, a very flamboyant guy from the South, highlights how Evan can't wrap his head around the idea that someone so openly gay presenting could be genuinely in love…

For those following gay content, Alan Cumming is likely a familiar face, perhaps due to his work on Traitors. He co-owns Club Cumming in NYC, a venue that has become a staple for the queer community to dance, find joy, and exist unapologetically and freely. A wonderful crew of people manages the establishment, and this docuseries—consisting of six episodes lasting approximately twenty minutes each—documents the community they have built through kindness, diversity, and a healthy dose of mischief. Set in Manhattan, the series shows Alan Cumming himself mingling with club co-owner and manager Darren Dryden, comedian Jake Cornell, drag king Cunning Stunt, drag queen Brini Maxwell, gogo dancer and drag performer Michelle Wynters, and cabaret singer Daphne Always as they all work together. Club Cumming acts as a stubborn remnant of a bygone New York era that simply won't disappear. While the exterior appears quite ordinary from the street, the interior reveals a space filled with overhead chandeliers and walls adorned with murals of nightlife icons. This tiny stage hosts a chaotic, wild mashup of downtown weirdos and diverse performance styles, ranging from Broadway performers on their nights off to drag queens and kings and burlesque acts. The bar's true magic lies in its small, communal, and personal atmosphere, providing a sanctuary for people to escape the heaviness of the current political moment, the stress of the world, and their daily anxieties. Through the show, we get brief glimpses into the lives of the staff. Cunning Stunt runs Manhattan's only drag king competition and drag king bingo night right at…

Not a single person in this movie is given a proper name. It seems the creators intended to strip away labels to make sexuality appear normal, though I am at a loss as to what they actually hoped to achieve with that approach. The film functions as a quiet, low-budget suspense piece characterized by very little dialogue. In my opinion, the experience was a messy blend of a grim suspense flick and a queer romance blossoming under weird circumstances, which ultimately fell flat. Rather than building a proper foundation, they simply padded the runtime with long, drawn out moments that would have been better spent fleshing out the plot.Haunted by memories of a former partner, a nameless guy leaves his house to camp out in the desert, which is how the plot begins. He is ambushed by an unseen force during the night, leading to his rescue by a man and a woman who tend to his injuries. However, their farm seems to exist completely outside the normal flow of time. It is immediately apparent that both hosts are interested in the newcomer, though the woman's behavior fluctuates between being flirty and being outright creepy. While a mutual attraction develops between the two men, the woman maintains all the power; she becomes super angry when she realizes her gentle partner is falling for the helpless visitor. On separate occasions, the stranger has passionate encounters with both of them. As the story wraps up, the local guy helps him break free. Even though the traveler begs him to escape this bizarre…

I am somewhat unsure if this should be classified as a film or a documentary, but because it has appeared at several doc festivals, I will label it a documentary for the time being. The premise follows a filmmaker who moves to Chicago after his older boyfriend loses interest in him; once there, he uses dating apps to find new men for a loose, undefined project investigating attachment, compatibility, and attraction—a concept his mother apparently cannot stand. After sitting through the seventy something minutes, I found the experience to be completely aimless, a sentiment that even the creators themselves seem to acknowledge. While the work does pose some genuinely hard questions, they feel less like intentional inquiries and more like natural byproducts of attempting to navigate intimacy without anyone ever setting clear boundaries. After splitting from his older boyfriend, Bethel moves to Chicago to start a new life. He has a vague desire to launch a film project, though he lacks any actual concept for it. To begin, he filters through his Grindr matches and invites roughly twelve men to meet him in person. These discussions, which take place in Bethel's studio, cover a vast range of topics, from how Grindr has altered their dating methods and the way their libidos fade over time to their sexual preferences, their specific subcultures, and general views on art. The vibe of these meetings mirrors a first date almost perfectly—flirtatious and disjointed, occasionally awkward, before abruptly becoming sharp and overtly sexual. The film grows even more experimental as each man is given a…