The plot of this indie art film centers on a young gay man navigating a series of sexual encounters throughout Hong Kong. Rather than focusing on the sex, the interest lies in the surrounding context: the long, wandering dialogues between him and his partners that range from occasionally clichéd to quite profound, touching on life and their place in the world. Much like the protagonist, most of the men he encounters are transplants in the sprawling city, finding one another through a mobile app. With very little plot beyond this, it feels as though the director is utilizing a single man's hookup cycle as a lens to examine intimacy and isolation within this fragmented community of men. The protagonist is a gay, single man in his twenties who feels restless regarding his life's direction and is in a near-constant state of arousal. The film follows his journey from one encounter to the next, ensuring each feels unique. Interestingly, he seems to reinvent himself with every new partner, adopting traits from his recent lovers to craft the persona he presents to the next person. His journey includes an Iranian biologist, an architect whose boyfriend is a kink-oriented flight attendant, a Thai bartender working sex work to avoid returning home, a brief encounter with a delivery guy, and time spent with an older man visibly paralyzed by the grief of losing a partner. He eventually reunites with the aforementioned flight attendant and concludes with a Black dancer. Regardless of the partner, the dialogue consistently returns to themes of ambition, loss, and the…